Volume (three-dimensionality) can be simulated in a two-dimensional work (like a painting). If you take a shape and give it three dimensions, it has volume.Ī three-dimensional form has volume. To develop an artistic perspective around the working methodology, a photographic documentation accompanies the project with Christine Noel and myself.Ĭollaboration: Terre du Vitrail Biennial of glass of the Museum of Art and History of Colombes, among the winners of the Call for Creation, March-July 2018 Catalogue Biennale 2018_definitif HD Exhibition Salon d’Automne 2016, Environemental Art Prize.Shapes are flat. These drawings, due to their structure with ink, lend themselves well to an adaptation in stained glass, the ink being translated intuitively in welding. Technique: drawing in mixed media on paper, sketch paper for stained glass, three-dimensional models of earth and cardboard, welding of pieces of glass and sheets of copper.Ī research on the subject of maternity is at the origin of the project MOTHER WOMAN, and can be viewed on the site. Recentaly was rewarded with the prize of Environnemental Art in the historical exhibition of Salon d’Automne in Paris.The fourth, MADONA a sculpture of the mother. Together they tell a story of liberation in which the duality of MOTHER WOMAN reveals itself and pushes the limits of the technique of traditional stained glass to create a three-dimensional work. Four pieces are to date made : Sculpture ‘Déracinement’, including wooden stained glass window in view of migration in Europe The Mother-Woman series, combined with a stained glass window and a sculpture.

This volumetric research associates other materials and techniques (blown glass, engraving on glass and metal). This artistic project as a whole is committed to exploring the volume in stained glass. STAINED GLASS 3D PROJECT – MOTHER WOMEN : PRIZE OF THE SALON D’AUTOMNE 2016 FOR ENVIRONMENTAL ART

Three dimensional glass painting